HCSHR 6:16 - Robert Witmer, Serendipity
Witmer, Robert. Serendipity. Allahabad, India: Cyberwit.et, 2023. 978-93-95224-52-9. 100 pages, perfect bound 5.5”x8”, $15 US. www.cyberwit.net
Review by Dave Read
In his foreword, Robert Witmer defines his book’s
title, Serendipity, as “Making happy and unexpected discoveries” (p 5). He
shares his experiences so his reader may find how a “sense of wonder keeps our
eyes open” (p 5). Throughout the book’s 100 pages, Witmer touches on a wide
variety of topics via skillfully written haibun and haiku sequences.
Serendipity
opens with several haibun and several more appear near the end of the
book. Many of these poems focus on
travel. In “Rain”, the book’s first
haibun, Witmer discusses his cycling trip from Chicago to Clearwater, and the
enormous rainfall that accompanied this journey. Towards the end of “Rain”, Witmer remembers
the advice of the Buddha. While rain
falls on all plants, “each grows in its own way” (p 9). Furthermore, having received his share of
rain, Witmer believes “the heavens had watered me in accordance with my needs
so that I might be lifted, joyous and exuberant” (p 9). This spirit is reflected in the concluding
haiku:
rain rinsed air
spilling sunlight
in the steady stream
The wonder of travel can also be found in “The Women
in Leh”, which examines the spiritual value of Tibetan turquoise. The locals believe in the powers of this
jewel. Indeed, its “blue-green colour
brings heaven to earth” and it is a “token of love that protects both giver and
receiver” (p 14):
turquoise talisman
the heaven we can buy
ground to the bone
Furthermore, Witmer shows respect for local
cultures. He argues that “The good
traveler takes only pictures and leaves only footprints” (p 14). A traveler should leave a place as he or she
finds it, with only pictures and memories as souvenirs.
Witmer’s poetry also finds wonder through humour. The power of humour can be expressed by the
way it, often unexpectedly, shines light on human foibles. In one of many quotations included in Serendipity,
Witmer, at the beginning of his senryu sequence “The Soul of Wit”, quotes G.K.
Chesterton: “Humour can get in under the door while seriousness is still
fumbling at the handle” (p 43). Many of
Witmer’s senryu absolutely get in under the door. Consider:
shadows move across the floor
happily drunk
I moon the moon (p 46)
falling stars
the light goes out
on the basement stairs (p 46)
receding wave
the old surfer’s
hairline (p 50)
All these poems exhibit the lightness of the best
senryu. Poetry like this is fun, easy,
and does not take itself too seriously.
Many of the funniest senryu have more in common with memes than
conventional Western poetry. These, by
Witmer, certainly fit that bill.
As good as Witmer is with senryu, he is, arguably, at
his best writing haiku that tackle the topic of aging. His sequence, “Generations of Leaves”,
includes many poems with this theme.
Subtle and strong, Witmer muscles out several powerful haiku:
a silent nightingale in her throat cancer (p 68)
the sea roars
in an empty shell
dementia (p 69)
gravel
at the end of the road
father’s voice (p 70)
The first of these, “a silent nightingale” is possibly
the best haiku in this book. (It previously appeared in skipping stones: The
Red Moon Anthology of English Language Haiku). Whether the subject of this
poem was a singer or someone who had a melodious speaking voice, “her throat
cancer” has subdued her “nightingale”, leaving the poor woman in silence. Witmer has created a moving statement of the
changes and the shortcomings that unfortunately come with time.
Robert Witmer’s Serendipity is an excellent
book of haibun and haiku sequences that encourages its reader to be open to the
wonder of the unexpected. I recommend
this book to readers of all forms of poetry.
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